This spring, The Historical Society of Pennsylvania in partnership with professional genealogist Sydney F. Cruice Dixon will hostFoundations of Genealogy: Getting Started and Doing It Right the First Time, an 8-week course for family historians and genealogists seeking to become more effective and efficient researchers.
Beginning in 2015, HSP’s Digital Services staff have created several new databases for genealogists and family historians, making previously-inaccessible information available online for researchers. Called Encounters, this new digital resource is available to on-site researchers in HSP's Library, with remote access a benefit of membership to HSP.
The display highlights collection materials featured in Encounters, including items from the:
The first in a series, the following article was written by HSP Digital Services Intern Mark Carnesi and is being posted on his behalf. Stay tuned in the coming weeks as Mark continues his look at the George A. Foreman scrapbook collection.
Processing a collection here at the Historical Society of Pennsylvania can be a fascinating experience. As you work your way through the collection it gradually reveals itself to you, including the many gems it contains. The George A. Foreman scrapbooks on the Philadelphia Transportation Company [#3267] is clearly one of these collections.
Foreman (1881-1950) was a conductor, motorman, and depot dispatcher for the Philadelphia Rapid Transit Company (PRT) and its successor, the Philadelphia Transportation Company (PTC), for a total of 37 years until his retirement in 1947. The bulk of the collection dates from the 1940s and consists of 18 small scrapbook albums that Mr. Foreman put together by hand. They include photographs of PTC coworkers, Philadelphia public transit scenes, holiday cards received over the years, as well as newspaper clippings, billboard advertisements, letters from coworkers serving in the military during WWII, postcards, and other ephemera.
The majority of the photographs were taken by a coworker who always seemed to have his camera at the right place and time. These fascinating and evocative photos shed light on so many things from the era. Among others, these include public transit, working conditions, social customs, men’s and women’s fashions, life during World War II, urban living, advertising and, of course, the growth and evolution of Philadelphia. As for the latter, many of the photos were taken from the Market-Frankford El and therefore provide a bird’s-eye view of the city, including its architecture, people at work and play, billboard advertisements, and flow of city life.
These photographs also show us what is not there or, better yet, there only in small numbers. For example, most of Foreman’s coworkers in the 1940s were, like him, male and white. However, it was at this time that the Philadelphia Transportation Company began to employ more women and minorities, and the collection reflects these changes within the PTC and society at large. One volume contains photos and newspaper clippings from The Evening Bulletin of Dorothy E. Williams, the “first woman El motorman in the history of the Philadelphia Transportation Company.”
As society changed, so did the PTC and other organizations like it, and this collection provides a unique window onto a very interesting, yet different, place and time.
In the 1970s, Temple University professor of psychiatry John Fryer urged doctors not to treat gays and lesbians as “sick.” This was not only the opinion of many Americans towards homosexuality, but the official viewpoint of the American Psychiatric Association (APA), which deemed homosexuality a mental illness, “curable” through lobotomy and electro-shock therapy.
With the generous support of Southwest Airlines Co., the official airline of HSP, we are proud to announce two free round-trip tickets will be randomly awarded to two Family History Days attendees. Register now for your chance to win!
Here's how it works:
All attendees registered for both days of the conference, March 18 and 19, will automatically be entered for a chance to win.
Often thought of as the last bastions of hush, libraries are louder than one might have heard. So tune in and listen closely to Philadelphia's 300-plus-year musical legacy.
Forsaking it in their religious services and sneering at it in their private lives, the Quaker founders of Philadelphia were a decidedly unmusical bunch. Fortunately for future ears, other religious and ethnic groups were counted among the city's early settlers, many with active musical traditions - and instruments - in tow.
The mystic Johannes Kelpius and his small band of pietist pilgrims developed a sophisticated musical practice while living alone in the woods along the Wissahickon Creek near Germantown. These German immigrants provided the music for the dedication of Gloria Dei, "Old Swedes," Church on July 2, 1700, the earliest documented musical performance in Philadelphia.
Portrait of Johannes Kelpius by Dr. Christopher Witt circa 1705
Francis Johnson, a Philadelphia-born bugle and violin virtuoso, published in 1817 his Collection of New Cotillions, the first compositions published by an African American, and Johnson soon became the first American - black or white - to lead a musical ensemble on a European tour.
The musical contributions of members of Philadelphia's ethnic and immigrant communities continued into the 19th century, with its own market for sheet music developing in the 1830s. In the absence of recorded music and earbuds, popular tunes known as parlor songs were written for amateur musicians and performed in the homes of their family and friends.
1846 Portrait (lithograph from a daguerreotype) of Francis "Frank" Johnson (1792-1844)
For many aspiring composers, vocalists, and musicians in antebellum Philadelphia, these parlor songs served not only as entertainment but as a means to conserve cultural traditions in their adopted country. The Balch ethnic sheet music collection contains hundreds of these songbooks and other sheet music dating from the 1820s through the 1960s, and was recently processed (archivalspeak for organizing and inventorying the materials) by HSP's archivists.
At The Yiddisher Ball circa 1912
A kaleidoscope of languages is represented in the spirituals, folk songs, traditional anthems, ballads, and other popular tunes written by and for the city's Jewish, Greek, Italian, Irish, Swedish, and other ethnic and immigrant communities. Caches of sheet music also tell the stories of Philadelphia's Hawaiian, Romanian, Russian, Slovak, Scottish, and other groups underrepresented in other cultural repositories.
Hay erg-punchʻ -- Armenian Song Bouquet circa 1940
Until a 2002 merger with HSP, the materials in the Balch sheet music collection were held by the Balch Institute for Ethnic Studies, one of the nation's premier research centers for American immigrant and ethnic experiences. HSP now oversees the care and use of the Balch materials, allowing the library to give a full-throated voice to the history of all Philadelphians.
"Get loud" is perhaps the advice least expected to leave a librarian's lips. But the scores of sheet music sitting silent on the shelves are inviting the public to do just that, to turn up the volume on a segment of Philadelphia's musical legacy long muted.
Arrah Wanna: An Irish Indian Matrimonial Venture circa 1906
HSP's latest document display features documents from more than three centuries of Philadelphia's music history, including several items from the Balch ethnic sheet music collection. Free and open to the public through March 11.
Join HSP for the remaining three programs in the four-part Memories & Melodies series. Register for two and get the third program free.
This article originally appeared in the February 21, 2016, Currents section of the Philadelphia Inquirer as part of HSP's weekly series, Memory Stream.
PHILADELPHIA, PA - As family history and genealogy have emerged as global phenomena, millions of Americans are delving into the past to discover their families, their stories, and themselves.
For many, however, the first step is the most daunting: Where to begin? Researching in a library or online present their own unique challenges for beginner and experienced genealogists alike.
Listen close: Libraries are louder than you’ve heard. Sitting silent in the stacks and vaults are the booming soundscapes of the past: scores of sheet music, recordings, concert posters, songbooks, and more.
In many of Philadelphia's ethnic neighborhoods, the Catholic church has served as much more than a place of worship - the institution helped keep alive ancestral traditions and connections among newly-arrived immigrants to the United States.
Library card catalogs have become an analog elephant in the digital room. Once the preeminent form of bibliographic record keeping, card catalogs have now become more of an artifact than an effective resource for researchers – especially those online.